Camera: Leica M4-2, Film: Kodak Plus X 125 processed in Xtol 1+1.
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Anonymous said…
Bill, these are great! I always do love your work.
Do you know anything about working with IR film (true IR)? I have a roll in the 'fridge that I want to work with, but the last roll got ruined at the shop and the roll before that wasn't true IR, so I'm a bit nervous to take the last roll out.
Good question. What roll is it? I have never messed with IR film myself, what I do know is you need a deep red filter and you have to be really careful in handling, put simple load and unload the film at home in a windowless room.
Anonymous said…
Yes, I have an IR filter (that I dropped and it cracked. I can't see through it, but I wonder if it's still okay to use...) I also have a deep red filter. And I have a film loading bag (2 of them) so I'm in the clear there.
The film is Efke IR film. I'd love to pull it out the 'fridge and shoot with it...but I'm a little afraid to. I'd hate to have the roll ruined. The last roll was from a trip to Maine, so I was really disappointed when I got the call that they ruined the film and was sorry about it. They gave me free processing on the next roll of film, but still...
Hmm, you sending your black and white film to be processed? I process my own, if I screw up, it's my fault and not some else.
Anonymous said…
Yes, I send it out for processing. I moved and there's just no room here for processing negatives. I don't have anywhere I can put them where they can dry without threat of lint or something floating on to them. There's not much space for making the prints either, but at least with a print I only mess up one sheet of paper. With the negative it's kind of an out of luck thing if it gets messed up.
I might just have to switch to digital. I hate the idea because I have all these great film cameras, but I can't just not take pictures because I don't have a reliable place to process. There was a great film place where I used to live. They were real pros...can't find anything like that here :(.
I got all three of my Rollei 35's serviced recently by @lensmedicyyc and packed the one with the 40 F3.5 Zeiss Tessar lens which is magical for black and white films. I went meta with Rollei RPX 100, because, why not? The Rollei 35 to recap is a very compact zone focus camera, first made in Germany, then production in Singapore in the early 1970s. They came with the 40 f3.5 Zeiss Tessar lens wich as mentioend above great for black and white film, the 40 F2.8 which has always been made in Singapore, made for colour film and a limited production of Schneider Xenar 40 F3.5 lens in the early 1970s. The camera due to its design is ass backwards with loading from right to left which makes scanning the negatives a treat as you have to start at the end of the roll and go to the beginning. Zone focusing takes some practice but it's not hard to get the hang, just make sure you check to see the measurement is in feet or metres, that will matter, a lot. That said, I love my Rollei 35
I bought a bunch of Flic Film Elektra 100 after shooting a roll of Santa Color 100 late last fall down in Niagara on the Lake with my good Canon New F-1. I packed a two rolls gifting one roll to my brother Alex before heading south on vacation for a week. This time around my second adventure of Kodak Aero Color IV at a different time of the year. Again, I shot at "box speed" at 100 ISO only this time through my Nikon F3/T. This time I loved the results even more, not just because it went through a different camera system. I think back late last November there was more infrared light in the spectrum due the time of year thus influencing the colour cast of the Aero Color 1V. Shooting the second roll in late March gave me a lot more the look I adored. Due to the polyester base Aero Color IV is easy to scan, you can almost colour correct during the scanning process, reducing your work flow a bit at the other end in Lightroom. Again being a polyester base, you want to load thi
Alright, this isn't the last of my NLP 2023 set of photos, I have two rolls of slide film out being processed and they are a tad late. They are going to get scanned eventually. I rolled with the Nikon FM2/T on the trip home and to be honest, it just delivered with Kodak Portra 160, I've fallen in love with this emulsion, hard. I do plan to buy more next year, just as I'm going to buy more motion picture stock Ektachrome 100. Camera: Nikon FM2/T, Nikkor AIS lenses. Film: Kodak Portra 160
Comments
Do you know anything about working with IR film (true IR)? I have a roll in the 'fridge that I want to work with, but the last roll got ruined at the shop and the roll before that wasn't true IR, so I'm a bit nervous to take the last roll out.
The film is Efke IR film. I'd love to pull it out the 'fridge and shoot with it...but I'm a little afraid to. I'd hate to have the roll ruined. The last roll was from a trip to Maine, so I was really disappointed when I got the call that they ruined the film and was sorry about it. They gave me free processing on the next roll of film, but still...
I might just have to switch to digital. I hate the idea because I have all these great film cameras, but I can't just not take pictures because I don't have a reliable place to process. There was a great film place where I used to live. They were real pros...can't find anything like that here :(.