Bill Smith's Photography

 Fuji Neopan Acros 100 is a classic film, I haven't tried the mark two version yet so I can't comment with that at the moment. I found my sweet spot developer is D76 or ID11 at 1+1 with Acros 100, through in bright light and you get this.  Camera: Rolleiflex 3.5 F Planar TLR Film: Fuji Neopan Acros 100, D76 1+1. 

 I shot a ton of black and white film while in the Beaches, and I'm not done processing and you will just have to stay tuned. Fompan 400 is a nice film but I had a hell of a time with last three frames with some emulsion damage, where it came from, I don't know. Usually I don't have a problem with this situation, nothing cloning can't fix. That said, it was worth the trouble to fix in Lightroom and some of these will wind up in an upcoming 'zine issue.  Camera: Rolleifles 3.5 F Planar TLR  Film: Fomapan 400, HC110 B. 

Oh boy colour negative film through a Rolleiflex with Zeiss Planar glass is glorious. I've been getting much better shooting with the Rolleinar 2 and getting close ups with flowers. I love what I got of this particular roll of Portra 400, in medium format, this film sings.  Camera: Rolleiflex 3.5 F Planar Twin Lens Reflex Camera.  Film: Kodak Portra 400

I used my Rolleiflex TLR and shot more black and white film on this year's trip up to Algonquin Park and I did some exploring Friday morning on the top of Huckleberry Lookout and later on along the shores of the Lake of Bays off highway 117. With the fall colours being late and not as vibrant, it was  logical choice. Camera: Series E 3.5 Planar Rolleiflex Twin Lens Reflex Camera. Films: Fuji Neopan Acros 100 and Ilford HP5 400 processed in HC110 B.