Camera: Leica M4-2, Film: Kodak Plus X 125 processed in Xtol 1+1.
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Anonymous said…
Bill, these are great! I always do love your work.
Do you know anything about working with IR film (true IR)? I have a roll in the 'fridge that I want to work with, but the last roll got ruined at the shop and the roll before that wasn't true IR, so I'm a bit nervous to take the last roll out.
Good question. What roll is it? I have never messed with IR film myself, what I do know is you need a deep red filter and you have to be really careful in handling, put simple load and unload the film at home in a windowless room.
Anonymous said…
Yes, I have an IR filter (that I dropped and it cracked. I can't see through it, but I wonder if it's still okay to use...) I also have a deep red filter. And I have a film loading bag (2 of them) so I'm in the clear there.
The film is Efke IR film. I'd love to pull it out the 'fridge and shoot with it...but I'm a little afraid to. I'd hate to have the roll ruined. The last roll was from a trip to Maine, so I was really disappointed when I got the call that they ruined the film and was sorry about it. They gave me free processing on the next roll of film, but still...
Hmm, you sending your black and white film to be processed? I process my own, if I screw up, it's my fault and not some else.
Anonymous said…
Yes, I send it out for processing. I moved and there's just no room here for processing negatives. I don't have anywhere I can put them where they can dry without threat of lint or something floating on to them. There's not much space for making the prints either, but at least with a print I only mess up one sheet of paper. With the negative it's kind of an out of luck thing if it gets messed up.
I might just have to switch to digital. I hate the idea because I have all these great film cameras, but I can't just not take pictures because I don't have a reliable place to process. There was a great film place where I used to live. They were real pros...can't find anything like that here :(.
South of Huntsville I took the scenic route via Highway 35 to one partly avoid the hellscape that's the 400/11 when you get close to Barrie and points south and two, go exploring with Jo-Anne who hasn't been down this way before. Another reason why we chose this route was I wanted to stop by my cousins' cottage south of Beaverton on Lake Simcoe so Jo-Anne can meet them. It was beautiful drive down and we had lunch at the Trading Bay Dining Company in Dorset, despite being mid October it was a nice day for patio dining. In the end it was a good day for driving and exploring but the closer we got to Southern Ontario the rain started and by the time we got back to Toronto it was a wall of water making navigating a treat to Jo-Anne's place. I prefer to remember the nicer parts up in Dorset and Minden. Camera: Olympus OM-1n, Zuiko lenses. Film: Kodak Ultramax 400.
I want to thank Ori Carmona, a friend and fellow Facebook Group adminstrator for Canon Film Photography for me to try out. So, my first serious camera was a Canon Rebel XS, your classic plastic fantastic from the late 1990s, once I went to manual focus, I never really used that camera again. Fast forward 20 years and with collection of camera gear from a variety of brands, I sort of saw myself as a Nikon fan boy with a soft spot for Canon FD mount gear and really loved shooting other brands like Minolta, Olympus and Pentax. I never shot with a pro grade Canon EOS mount camera, I do own a Nikon F4 which sadly has developed really bad LCD bleed on both displays so she's toast. Ori loaned me his camera to try out. Yes this camera made Nikon's life very difficult, and probably the reason why the F5 came along. First I did was consult the owners manual, Canon does things differently than other brands, so Auto Exposure is Av, Shutter Priority is Tv (why I have no idea, it goes back ...
I bought a bunch of Flic Film Elektra 100 after shooting a roll of Santa Color 100 late last fall down in Niagara on the Lake with my good Canon New F-1. I packed a two rolls gifting one roll to my brother Alex before heading south on vacation for a week. This time around my second adventure of Kodak Aero Color IV at a different time of the year. Again, I shot at "box speed" at 100 ISO only this time through my Nikon F3/T. This time I loved the results even more, not just because it went through a different camera system. I think back late last November there was more infrared light in the spectrum due the time of year thus influencing the colour cast of the Aero Color 1V. Shooting the second roll in late March gave me a lot more the look I adored. Due to the polyester base Aero Color IV is easy to scan, you can almost colour correct during the scanning process, reducing your work flow a bit at the other end in Lightroom. Again being a polyester base, you want to load...
Comments
Do you know anything about working with IR film (true IR)? I have a roll in the 'fridge that I want to work with, but the last roll got ruined at the shop and the roll before that wasn't true IR, so I'm a bit nervous to take the last roll out.
The film is Efke IR film. I'd love to pull it out the 'fridge and shoot with it...but I'm a little afraid to. I'd hate to have the roll ruined. The last roll was from a trip to Maine, so I was really disappointed when I got the call that they ruined the film and was sorry about it. They gave me free processing on the next roll of film, but still...
I might just have to switch to digital. I hate the idea because I have all these great film cameras, but I can't just not take pictures because I don't have a reliable place to process. There was a great film place where I used to live. They were real pros...can't find anything like that here :(.