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Borrowed Pentax MZ-S from Chinatown to the Imperial Pub.

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 Newest member of the Classic Camera Revival Team John Roberts left behind his Pentax MZ-S kit behind for us to play with after his visit last Summer. I was the last one to use the camera, I found the MZ-S to be a very interesting camera. Pentax didn't have much presence in the pro camera market, it was either the Canon EOS-1 or the Nikon F5, ok, maybe a Leica M6TTL or R series SLR if you were independent an had means. Pentax coms along and introduces the MZ-S that accepted both Pentax maual and autofocus lenses.  The MZ-S is an interesting beast in terms of design, while every bit as durable as a Nikon F5 or Canon EOS-1, it's more compact, think 3/4 the size in terms of external dimensions.  The slanted top of the camera is a cool touch so you can see the external screen. In terms of usability, the MZ-S is not an intuitive camera, you have read the manual if you want to go between manual, Aperture Priority, Shutter Priority or one of the progam modes. With first roll I s...

Liberty Village to Bathurst

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Yeah, I'm sold on Leica R glass, in this case the 3 Cam 28 F2.8 Elmarit, and my favourite, the made in Midland On, Canada, 3 Cam 50 F2 lens. Couple that with a Leicaflex SL2 loaded with Ilfrod HP5 400 which was later processed with 510 Pyro.  I was shooting in temperatures bouncing around +2c to -2c which the SL2 performs nicely. I still haven't shot either SL2 (the chrome one, or the black 50 Anniversary) on a sunny day or with colour film. I look forward to doing both, we'll see, we're in winter and it's Canada, specifically Toronto, there's a whole lot of grey out there.  The SL2 is a solid workhorse and I'm growing to love who it feels in my hands. Again I compare it to an early 1970s Mercedes 300 SEL 6.3 sedan.   Camera: Leicaflex SL2, 3 Cam 50 F2 Summicron R lens, 3 Cam 28 F2.8 Elmarit R Lens.  Film: Ilford HP5 400, 510 Pyro 1+100.  ...