Bill Smith's Photography

 I'm getting better with scanning colour in Silverfast but still feel like I'm on the learning curve with this software. I switched from the Superia 400 setting to NPH 400 setting and I really like the results.  Camera: Nikon F2SB, Nikkor O 35 F2 lens, Nikkor P 105 F2.5 lens.  Film: Fujifilm Superia 400. 

 Jo-Anne and I went down to Niagara on the Lake a few weeks ago and it was a chance for me to try out the Light Lens Lab Nine Element 28 F2.8 lens, their tribute to the nine element 28 F2.8 Elmarit Leica launched in the 1960s. I am a huge fanboy of the Eight Element 35 F2 and the Elcan 50 F2 lenses Light Lens Lab make, both are tributes to classic Leica M mount lenses that not easy to find and are quite espensive in the collector market (especially the Elcan 50 F2).  What I found is, Light Lens Lab glass loves colour negative film, yes I've shot black and white as well with these leneses but for some reason, colour just pops. Its when you find lenses that work for you, I mean really work for you, its like finding the perfect tool for the job and then some.  Camera: Leica M4-2, Light Lens Lab Nine element  28 F2.8 Lens, Elcan 50 F2 lens.  Film: Fuji Superia 400, processed by Graination Lab.  ...