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Showing posts with the label Leica M5

Rewind to Early May and Playing with the Carl Zeiss ZM 50 F1.5 Sonnar Lens.

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 Lets roll the clock back for a blog post to a cool grey and grim very early May, I bought a new lens for my Leica kit, a classic actually, no, it's not a 50 F1.4 Summilux, it's a Carl Zeiss ZM Sonnar 50 F1.5 T lens, a recreation of the classic pre war lens formula that was available in Leica M39 and Contax mounts.  The current 50 F1.5 is made in Japan by Cosina for Carl Zeiss and retails for $1361 USD on BH Photo.  Being a classic recreation of a 1930s lens but with modern construction, materials and lens coatings, the 50 F1.5 Sonnar is a character lens, as in, if you are chasing contemporary perfection, the 50 F2 Planar will be more your cup of tea. With six elements within four groups along with ten aperture blades and alluminum construction, the 50 F1.5 has a solid feel for a modern lens, I bought mine in the matte silver finish. The big difference between Leica and Zeiss glass is Wetzler glass has half stop increments and the ZM lenses have third stop increments for ...

New Lens Post, the Voigtlander 35 F1.4 Nokton II SC Lens.

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  I picked up an M mount lens recently, the Voigtlander Nokton 35 F1.4 SC II lens. My friend from the Toronto Film Shooters Ron Chen has one on his Leica M4-2 and loves it. I put my new lens on my M5 and it was my lens for the day. Short answer, if you're a Leica M shooter, or any full frame mirrorless and you want a lens with some character, get this lens!  Fellow photographer from the Film Shooters Collective Katie Mollon was in town back in April, her husband works in the auto parts industry and was participating in corporate training at the company headquarters. Katie saw it as chance to get out of town for a few days and reconnect with Toronto friends. We started at the Distillery District, went up to Rosedale for lunch. Sadly the Rebel House was closed (it was on a Monday) so we wound up at the sandwich spot Black Camel. In the end we walked back to her hotel and hopefully Katie's husband wasn't stuck in traffic hell.  Camera: Leica M5, Voigtlander 35 F1.4 Nokton II...