Bill Smith's Photography

More from the Boxing Day photo walk downtown, I forgot how much I liked urban photography. I want to wish all my regulars and new visitors a very Happy New Year and I hope 2014 brings great promise to everyone. A little off topic, I'm in marketing communications when I don't have a camera in my hand on in the darkroom and have been doing some professional development over the past few months to fill in the gaps with my social media knowledge so I can say I'm a digital strategist and not just playing one on TV.  My studies in University of Toronto's  Digital Strategy and Communications Management certificate program re-invigorated my blog.  Secondly I took a peak under the blog's hood and found out I was averaging over a 1200 views a month on average, that statistic blew my mind, thank you. My classmates from the first course blogged on a variety of topics and please check them out. Camera: Nikon FM, Nikkor H 28 f3.5 or Ai 50 f2 lens Film: Kodak Tri-X 400, Xt...

I love the Nikon FM series of cameras and I'm really fortunate to receive a black FM under the Christmas Tree yesterday morning. I took it with me into Toronto on Boxing Day (December 26th for those outside the Commonwealth) to run a test roll through it. It's been a long time since I did a walkabout around downtown Toronto and I found the streets quiet on Boxing Day in the financial district. I wanted to see what my new to me FM can do with one of my reference films, Kodak Tri-X 400, the results of course are below. This camera is going to get a fair amount of use with future projects and works well with my Vivitar 283 flash for low light work.

A very merry Christmas and best wishes for a great 2014.

I love snow, then again I ski so of course I love snow and winter photography as well. Here's little photography tip on capturing snow well. Cameras are dumb technology, even a top of the line Nikon D4, why? When you meter a scene, the on board meter no matter if it's centre weighted like an old manual focus film camera or matrix metered like a top of the line DSLR will read snow as mid point grey under normal exposure, hence grey snow in black and white and blue snow if you're shooting in colour. To get around this, you deliberately over expose by a stop and a half. If you are shooting say film rated at 400 ISO you expose at 250. In case of shooting on a DSLR it's a different ballgame, when you meter you have to make sure you use the exposure compensation feature and set it a stop and half over, now you have a proper exposure, you will have white snow in your photographs. Camera: Olympus OM-1MD, Zuiko 28 f2.8 lens and MC 50 f1.8 lens. Film: Fuji Superia 400. ...

I'll let the pictures to the talking. Camera: Olympus OM-4, Zuiko 28 f2.8 lens, Film: Kodak Tri-X 400, HC110 B.

A small confession, I haven't taken all that many photos over the past few weeks due to getting over a recent cold but discovered some work I haven't uploaded to here. Back at the end of the Summer I was a waiting for a friend for dinner mid town, she was running behind so I decided to take a wander through Rosedale, it's one of my favourite neighbourhoods for exploring. One of the wealthiest postal codes in the country Rosedale has remained largely intact in terms of the re-development craze of the last decade and a half where nice houses get torn down and replaced by larger tackier imitations of Lake Como or Loire Valley estates. Camera OM-4, mostly the Zuiko 28 f2.8 lens Film: Kodak Tri-X 400

What you see below is the end result of a very busy fall. I'm president of the Oakville Camera Club and every year we hold an annual photography competition open to the public called Capture Oakville  which as been going on for the past seven years. This year the club put the event on hiatus, first off Capture Oakville was in dire need of a re-fresh and secondly we wanted to try Queen Elizabeth Park Community Cultural Centre 's main gallery with an internal exhibit with the theme My World in Transition. It was a pretty wide open topic to facilitate a large number of entries from club members. Now, curating, framing, hanging 80 prints and putting on a smaller event that drew my guess about 150 people on opening night is no easy feat, the Capture Oakville Director stepped down due to professional commitments and thankfully the committee responsible stepped up. I can't thank Kieley Hickey, Walter Sawka Wojtek Ziobicki enough for curating and hanging the exhibit, I know t...

Have you ever been out and you got everything weather wise thrown at you? About a month ago I went out on a hike at one of my favourite spot at Forks of the Credit Provincial Park, needed a break from a few projects I was working on. My path of choice is through the minuscule hamlet of Brimstone at the south end of the Park. Over the course of the morning I experienced rain showers, clear patches and then sleet. Yes sleet, when that fell I decided it was time to walk back to the car and go have lunch in Belfountain. I did however manage to take some pictures along the way, including my favourite spot along the Credit River. Camera: Hasselblad 500 C/M, Zeiss 80 f2.8 Planar Lens, Film: Ilford HP5, HC110 B.

That is the eternal debate in my head as an analogue photographer, will I go digital at some point? With the recent release of the Nikon Df   left me looking at that question. On the surface, this camera was made for me, a full frame DSLR with a flagship grade sensor, no video capability (not really interested in video), manual controls and the ability to use Nikkor Ai and Non Ai lenses which I have plenty of. Now there's the challenge, the camera is retailing for about $3000 in Canada and I estimate I would have to spend another $1500 to get up to speed. So ok $4500, that's a lot of coin, in fact I can buy a Nikon FM3a which is the last manual focus film camera Nikon made in house (the FM10 is made by Cosina) and a supply of black and white film and chemicals to keep me going until the year 2024. So what would have I to buy along with the Df to be in the "digital" world? My shopping list would include multiple terabyte external hard drives because RAW files are b...

An old friend gave me some wise advice once, be the water.Well I had to be the water this past fall as I had multiple projects both personal and professional along with some professional development with University of Toronto's Digital Strategy and Communications certificate program. In fact this blog was an assignment for the foundations class and I had fun writing them, in fact they were an escape from everything else. There is a blog roll on the side here and please check out my classmates blogs, they are all great reads. So, Albion Falls, I was here back in late October with the Oakville Camera Club on a Sunday morning photo shoot. Now if you wanted to get closer you had to get to a fenced off access trail and I wouldn't recommend it for anyone with mobility or balance issues. If I were to come back I want to do it on an overcast day to even out the exposure. Camera Gear: Nikon F3HP, Kodak Portra 400 Nikon FM2, Ilford HP5 and Delta 100 Various Nikkor lenses used....

Lest everyone get the idea the only subjects I shoot are landscapes and urban environments I do portraiture as well on occasion with the Friends of Bill Project. Say you have a friend or family member for that matter shove a smart phone or a camera into your hands and want you take their picture, here are some great tips. Understand what your camera can and cannot do, doesn't matter if it's a iPhone or Android handset or a Nikon D4, it's the person using the device that makes the photo. First off understand the rule of thirds, if you are shooting horizontally or in landscape, you don't want your subject's head smack in the middle, I usually shoot slightly off centre.  The second thing you want to do is make sure your subject's eyes are sharp, this is more the case with a proper camera than with a smart phone. Finally you want to make the light work for you, contrary to popular opinion overcast days have great light for portraiture as the light is diffused,...