We have been here before, only this time its in colour with Kodak Pro Foto 100 colour and I used a Canon Canonet QL17 GIII. I love the 40mm almost wide angle, I am thinking of getting the Voightlander SL for Nikon in 40 f.2 in the future when my tax refund comes.

Bill

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Cinestill 50D through Rokkor Lenses.

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I love my black Minolta SRT 101 but it has an issue where it looks like there's vignetting at the very bottom of the frame. I know what the problem is, there's a light baffle behind the mirror that's a little loose. I don't have the finger dexterity to fix it, I'm getting a tech to look at it. The photos have been cropped in Lightroom so no one is the wiser.

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Camera: Minolta SRT 101 (black beauty), MC Rokkor lenses.
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I have a pair of Minolta SRT 101's, one silver, pictured here made in my guess 50 years ago, and black one made in the early 1970s. Minolta was an innovator during their heyday, back in the mid 1960s while other brands were getting a handle on TTL metering, the SRT 101 had CLC (Contrast Light Compensator) or proto matrix metering. What I like about this on super bright days I can get better exposures, pretty good for a 52 year old camera design.

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