So Tri-x being a very versatile film, you can get different looks with different developers. In the previous post I showed a couple of examples of Tri-x processed in ID-11/D76 1+1. This post I show what happens when you process Kodak Tri-x pulled to 200 ISO and processed in Rodinal at 1:50 (one part Rodinal and 50 parts water). I used an Asahi Pentax SV with Super Takumar lens system. Again if I was truly anal I would be running this through one camera but regardless if it's Rokkor, Takumar, Zuiko or Nikkor you are going to get some really nice results. I printed on Kentmere RC Fine lustre paper with a Devere 504 enalarger with a 50/2.8 enlarging lens.

I like this look, I would not use it all the time, I think this developer/film combination has it's applications and lends itself to the right subject matter.

The shots below were taken around Oakville.



Comments

Post a Comment

Popular posts from this blog

Barnack Madness, What Was I Thinking?

Image
 My last adventures with Scewmount Barnack Leicas didn't end well, on the few occasions I tried my brother's IIIf and IIIg, I botched the loading and got 36 exposures on one frame. I was quite content to just shoot with my M3 and M4-2, even though I wanted to get a IIIg because Alex got dad's from the estate.  Logic has no place shooting with a Barnack Leica, if the cliche film photography slows you down, working with a III series body is an exercise in zen. First you have deal with bottom loading, wind the film advance before adjusting shutter speed and be careful where you point your camea as bright sunlight can incinerate a rubberized silk shutter cloth instantly.  That said, Joan at Burlington Camera had this red dial Leica IIIf from the mid 1950s with a pre war Elmar 50 F3.5 lens, on the used shelf, I saw it, handled the camera, and put it back. In a fit of camera GAS (Gear Acquisition Syndrome) a few weeks later I came back in and bought the camera. I wonder if Joan...
Read more

Second Roll of Aerocolor IV (Flic Film Elektra 100)

Image
 I bought a bunch of Flic Film Elektra 100 after shooting a roll of Santa Color 100 late last fall down in Niagara on the Lake  with my good Canon New F-1. I packed a two rolls gifting one roll to my brother Alex before heading south on vacation for a week. This time around my second adventure of Kodak Aero Color IV at a different time of the year.  Again, I shot at "box speed" at 100 ISO only this time through my Nikon F3/T. This time I loved the results even more, not just because it went through a different camera system. I think back late last November there was more infrared light in the spectrum due the time of year thus influencing the colour cast of the Aero Color 1V. Shooting the second roll in late March gave me a lot more the look I adored. Due to the polyester base Aero Color IV is easy to scan, you can almost colour correct during the scanning process, reducing your work flow a bit at the other end in Lightroom. Again being a polyester base, you want to load...
Read more

The New Addition to the Fleet, the NIkon FM2T

Image
 I didn't need a NIkon FM2T but I got one. I already have both a chrome and black Nikon FM2N bodies but being not only an analogue photographer I'm also a Nikon collector. Ok, the FM3a's are getting a little out of hand in the used market. As you have read over the past few months I've been on a gear acquisition tear this is more a prize. James over at Casual Photophile wrote a great pieec back in 2019 on the camera , and pretty much shares what I think, yeah, you don't really need this camera but if you're a Nikon collector you want one. The FM2T was only made from 1993 to 1997 and is a rare beast in the grand scheme of things compared to the FM2n which was made from 1989 to 2001. What the FM2T is a lighter and tougher version of the FM2N. with a titanium outer housing, like a regular FM2n it feels great in my hand. This particular example was spot on with the meter and did not take one bad photo at all.  Film wise I ran with Ilford Delta 100, I'm just tryi...
Read more