Posts

Trying Out 510 Pyro with Fomapan 400

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 We were talking about 50 ISO black and white films on the Classic Camera Revival recently and by happenstance the conversation shifted to 510 Pryo, probably the most safe and user friendly of the family of staining developers. I've used Pyrocat HD in the past, courtesy of the chemical toxicty, I was scared to use the stuff. Loved the results.  Contrast that with 510 Pyro, while I would not recommend using it as a drinks mixer, it's a lot safer to use. The thought process is a high accutance AND fine grained developer that tames the highlights and pulls the shadows out. Mixing the stuff is easy and the vast majority of times are under 15 minutes, the big kicker, you use a water stop to retain the staining properties. Fix as per usual with the fixer of your choice, I'm partial to Ilford.  The negatives take on a sepia tone. Now, scanning gets interesting. I scan into TIFF files and import into Lightroom. I use Silverfast 9 Plus, and settled on the Ilford HP5 setting after ...

Out and About with my Canon 7S and Japanese Summilux

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  Went out again with one camera, one lens, and a light meter around the neighbourhood. September put me in a mood for fall but Summer didn't want to quit, no sir. I haven't shot with my Canon 7s and with the Japanese Summilux their 50 F1.4 lens in Leica thread mount, a lens with history in a while. It's refreshing to shoot only with one camera and lens, reduces decision making and forces you to compose the shot better.   I also want to shoot through my stash of Fuji Superia Extra 400, while not terribly expired, better shoot through it sooner than later. From the results of this roll, had to do some colour correction in Lightroom to make some photos look decent. The other variable is light, I shot the roll over the course of a month (later September to mid to late October) on the overcast days needed more love.  Camera: Canon 7S, Canon LTM 50 F1.4 (aka the Japanese Summilux).  Film: Fuji Superia 400, recently expired.  ...