I did it! I printed my first Fibre print and the scan you see below does not compare to seeing the print in person. One of my Public Relations instructors, Dave Turnbull who is an avid photographer in his own right, gave up his darkroom due to time constraints. He gave me boxes of old Fibre paper, most of it glossy multi grade double weight, I would say the average age is about seven to ten years old per box. I had to adjust my times in the developer and fix. The big difference is the wash procedure, I have to wash the prints for about an hour to get the fix out. For now I am decanting the trays every ten minutes, what I really need is a print washer. For now I am content and I got a workflow procedure figured out.
Barnack Madness, What Was I Thinking?
My last adventures with Scewmount Barnack Leicas didn't end well, on the few occasions I tried my brother's IIIf and IIIg, I botched the loading and got 36 exposures on one frame. I was quite content to just shoot with my M3 and M4-2, even though I wanted to get a IIIg because Alex got dad's from the estate. Logic has no place shooting with a Barnack Leica, if the cliche film photography slows you down, working with a III series body is an exercise in zen. First you have deal with bottom loading, wind the film advance before adjusting shutter speed and be careful where you point your camea as bright sunlight can incinerate a rubberized silk shutter cloth instantly. That said, Joan at Burlington Camera had this red dial Leica IIIf from the mid 1950s with a pre war Elmar 50 F3.5 lens, on the used shelf, I saw it, handled the camera, and put it back. In a fit of camera GAS (Gear Acquisition Syndrome) a few weeks later I came back in and bought the camera. I wonder if Joan a
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