The Hand Scan-111011-0007 Credit River Farm From Friday's hike up at Forks of the Credit Provincial Park after lunch. Camera: Rolleicord IV Film: Fomapan 100 processed in Xtol 1+1.
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Some Thoughts on the Asahi Pentax K2

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Mid 1970s, Pentax was getting a little concerned, sales of its screw mount camera line were dropping off, M-42 was a great mount circa 1958, held its own in the mid 1960s but by 1975 was getting long in the tooth. Pentax collaborated with of all companies Zeiss Ikon to design the K mount in the late 1960s to come up with a joint lens mount The German partners decided to get out of the camera business altogether by the mid-1970s and Pentax made the K mount an open source technology. In an alternate universe if Zeiss Ikon kept making cameras, they would have K mounts but I digress.

Pentax dropped onto the market three cameras, the entry level KM which was a Spotmatic F with a K-mount for all intents and purposes (want to get one at some point), the KX which had a much better meter and the top of the line K2 which had a Seiko vertical Copal shutter which was electronically controlled with the ability to do aperture priority like the Nikkormat EL Minolta XE-7 and the Olympus OM-2, Canon …
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New Camera: Minolta XD-11 and The Beaches Art Instalation

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I always wanted a Minolta XD-11, this camera was part of the great engineering partnership between Minolta and Leica. If you look carefully, you can see the basic layout for the Leica R4, R5, R6 and R7. For longtime readers you know I borrowed my brother's Leica R4 and lenses, the XD-11 feels the exact same way in your hands. In fact some Minolta lenses were also used as Leica R lenses. The mount is different. What's sad is Leica R bodies are going for a song these days because everyone wants the R lenses on their full frame cameras.

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I love my black Minolta SRT 101 but it has an issue where it looks like there's vignetting at the very bottom of the frame. I know what the problem is, there's a light baffle behind the mirror that's a little loose. I don't have the finger dexterity to fix it, I'm getting a tech to look at it. The photos have been cropped in Lightroom so no one is the wiser.

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Film: Cinestill 50D,













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