I have been using Vuescan as my software interface with my Epson V500 since I got my Macbook Pro back in July and with my black and white workflow, it's amazing. With colour film, still trying to get it just right and I think I'm getting there. Brimstone Side Trail Down Into the Valley Red Leaves. OCC Group Shot. This past weekend the Oakville Camera Club had an outing up at Forks of the Credit Provincial Park, thankfully the rain held off until 1 PM. It was fun even though I was leading a large group of photographers and one Australian who was scared she would get lost. The fall colours I found this year to be muted, partially because 40% of the leaves were already down after a storm that went through and it was a dry Summer.

Comments

david said…
Australians never get lost..... maybe once in a while they will leave the trail to head for a pub :-)
3:20 AM
Post a Comment

Popular posts from this blog

Some Thoughts on the Asahi Pentax K2

Image
Mid 1970s, Pentax was getting a little concerned, sales of its screw mount camera line were dropping off, M-42 was a great mount circa 1958, held its own in the mid 1960s but by 1975 was getting long in the tooth. Pentax collaborated with of all companies Zeiss Ikon to design the K mount in the late 1960s to come up with a joint lens mount The German partners decided to get out of the camera business altogether by the mid-1970s and Pentax made the K mount an open source technology. In an alternate universe if Zeiss Ikon kept making cameras, they would have K mounts but I digress.

Pentax dropped onto the market three cameras, the entry level KM which was a Spotmatic F with a K-mount for all intents and purposes (want to get one at some point), the KX which had a much better meter and the top of the line K2 which had a Seiko vertical Copal shutter which was electronically controlled with the ability to do aperture priority like the Nikkormat EL Minolta XE-7 and the Olympus OM-2, Canon …
Read more

Cinestill 50D through Rokkor Lenses.

Image
I love my black Minolta SRT 101 but it has an issue where it looks like there's vignetting at the very bottom of the frame. I know what the problem is, there's a light baffle behind the mirror that's a little loose. I don't have the finger dexterity to fix it, I'm getting a tech to look at it. The photos have been cropped in Lightroom so no one is the wiser.

Cinestill 50D, which is Eastman Kodak Vision 50D with the remjet removed. An interesting film to shoot with, of course, I choose to shoot on a day with very changeable light because hey, why not. Well, Cinestill 50D and Minolta Rokkor glass are made for each other, I've shot this film with Nikkor and Pentax SMC lenses over the years, I like what I got here. Sadly though Cinestill 50D isn't cheap in Canada, partly due to the exchange rate partly due to the film being expensive because of the remjet removal, pity.


Camera: Minolta SRT 101 (black beauty), MC Rokkor lenses.
Film: Cinestill 50D,













Read more

Test Roll Ferrania P30

Image
Film Ferrania, a storied Italian film manufacturer back from the dead. They made a big splash a few years back with a Kickstarter campaign with a crazy idea to bring their slide film back. Well, with that old cliche the road to hell was paved with good intentions, Ferrania got a six lane Autostrada for their troubles. The old factory had a ton of environmental issues (asbestos) which distracted the brain trust. Out of the blue they got a coating machine going and produced an Alpha Run of P.30, a black and white motion picture stock rated 80 ISO in daylight beloved by Italian filmmakers like Fellini.

I was gifted a roll of P.30 by Alex Luyckx to shoot and later talk about in an upcoming Classic Camera Revival Podcast. I used a recently overhauled Olympus OM-2n, and processed in HC110 B, yes D76 was the preferred developer but I didn't want to mix up a fresh batch as I'm halfway through some Xtol I mixed up recently. I exposed this film on a less than ideal morning down in Port…
Read more