Short post with two photos leftover from a previous session. Taken with an Olympus OM-1 with Kodak Tri-X black and white film just after Christmas and New Years.

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Some Thoughts on the Asahi Pentax K2

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Mid 1970s, Pentax was getting a little concerned, sales of its screw mount camera line were dropping off, M-42 was a great mount circa 1958, held its own in the mid 1960s but by 1975 was getting long in the tooth. Pentax collaborated with of all companies Zeiss Ikon to design the K mount in the late 1960s to come up with a joint lens mount The German partners decided to get out of the camera business altogether by the mid-1970s and Pentax made the K mount an open source technology. In an alternate universe if Zeiss Ikon kept making cameras, they would have K mounts but I digress.

Pentax dropped onto the market three cameras, the entry level KM which was a Spotmatic F with a K-mount for all intents and purposes (want to get one at some point), the KX which had a much better meter and the top of the line K2 which had a Seiko vertical Copal shutter which was electronically controlled with the ability to do aperture priority like the Nikkormat EL Minolta XE-7 and the Olympus OM-2, Canon …
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I love my black Minolta SRT 101 but it has an issue where it looks like there's vignetting at the very bottom of the frame. I know what the problem is, there's a light baffle behind the mirror that's a little loose. I don't have the finger dexterity to fix it, I'm getting a tech to look at it. The photos have been cropped in Lightroom so no one is the wiser.

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Film: Cinestill 50D,













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Film Ferrania, a storied Italian film manufacturer back from the dead. They made a big splash a few years back with a Kickstarter campaign with a crazy idea to bring their slide film back. Well, with that old cliche the road to hell was paved with good intentions, Ferrania got a six lane Autostrada for their troubles. The old factory had a ton of environmental issues (asbestos) which distracted the brain trust. Out of the blue they got a coating machine going and produced an Alpha Run of P.30, a black and white motion picture stock rated 80 ISO in daylight beloved by Italian filmmakers like Fellini.

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