Return to the Oxtongue River Part One.

I first visited the Oxtongue Rapids 10 years ago on my first photography retreat with the NLP group. I'm using the same gear sort of as I was a decade ago but with different film stocks this time around. On this post I rolled with the Nikon F3/T and Portra 160 which fast became my new favourite splurge for medium speed colour negative film. I prefer Portra 160 over 400 any day of the week and it fast replaced Ektar 100 as the new go to landscape colour negative film. 

It was Jo-Anne's first time at the Oxtongue Rapids and was blown away at the beauty. I myself had another chance to photograph an extremely beautiful spot in the eastern edge of Muskoka Region. We also went further up river to see the upper rapids which I did not visit decade ago. I would love to shoot medium format colour film here at some point with my Mamiya C220F. 


Camera: Nikon F3/T, Nikkor AIS lenses. 

Film: Kodak Portra 160. 


Oxtongue Rapids 1 Sept 2023 Friday Oxtongue Rapids 2 Sept 2023 Friday Oxtongue Rapids 3 Sept 2023 Friday Oxtongue Rapids 4 Sept 2023 Friday Oxtongue Rapids 6 Sept 2023 Friday Oxtongue Rapids 7 Sept 2023 Friday Reflected Oxtongue River Sept 2023 Friday Oxtongue Rapids Further Up River 3 Sept 2023 Friday Oxtongue Rapids Further Up River Sept 2023 Friday Oxtongue Rapids Further Up River 2 Sept 2023 Friday Oxtongue Rapids Further Up River Water 2 Sept 2023 Friday Oxtongue Rapids Further Up River Water 3 Sept 2023 Friday Jo-Anne Photographing Me Sept 2023 Friday

Comments

Post a Comment

Popular posts from this blog

Rollei 35, Rollei RPX 100 on the October Photo Walk

Image
 I got all three of my Rollei 35's serviced recently by @lensmedicyyc and packed the one with the 40 F3.5 Zeiss Tessar lens which is magical for black and white films. I went meta with Rollei RPX 100, because, why not?  The Rollei 35 to recap is a very compact zone focus camera, first made in Germany, then production in Singapore in the early 1970s. They came with the 40 f3.5 Zeiss Tessar lens wich as mentioend above great for black and white film, the 40 F2.8 which has always been made in Singapore, made for colour film and a limited production of Schneider Xenar 40 F3.5 lens in the early 1970s.  The camera due to its design is ass backwards with loading from right to left which makes scanning the negatives a treat as you have to start at the end of the roll and go to the beginning. Zone focusing takes some practice but it's not hard to get the hang, just make sure you check to see the measurement is in feet or metres, that will matter, a lot.  That said, I love my Rollei 35&#
Read more

Second Roll of Aerocolor IV (Flic Film Elektra 100)

Image
 I bought a bunch of Flic Film Elektra 100 after shooting a roll of Santa Color 100 late last fall down in Niagara on the Lake  with my good Canon New F-1. I packed a two rolls gifting one roll to my brother Alex before heading south on vacation for a week. This time around my second adventure of Kodak Aero Color IV at a different time of the year.  Again, I shot at "box speed" at 100 ISO only this time through my Nikon F3/T. This time I loved the results even more, not just because it went through a different camera system. I think back late last November there was more infrared light in the spectrum due the time of year thus influencing the colour cast of the Aero Color 1V. Shooting the second roll in late March gave me a lot more the look I adored. Due to the polyester base Aero Color IV is easy to scan, you can almost colour correct during the scanning process, reducing your work flow a bit at the other end in Lightroom. Again being a polyester base, you want to load thi
Read more

Barnack Madness, What Was I Thinking?

Image
 My last adventures with Scewmount Barnack Leicas didn't end well, on the few occasions I tried my brother's IIIf and IIIg, I botched the loading and got 36 exposures on one frame. I was quite content to just shoot with my M3 and M4-2, even though I wanted to get a IIIg because Alex got dad's from the estate.  Logic has no place shooting with a Barnack Leica, if the cliche film photography slows you down, working with a III series body is an exercise in zen. First you have deal with bottom loading, wind the film advance before adjusting shutter speed and be careful where you point your camea as bright sunlight can incinerate a rubberized silk shutter cloth instantly.  That said, Joan at Burlington Camera had this red dial Leica IIIf from the mid 1950s with a pre war Elmar 50 F3.5 lens, on the used shelf, I saw it, handled the camera, and put it back. In a fit of camera GAS (Gear Acquisition Syndrome) a few weeks later I came back in and bought the camera. I wonder if Joan a
Read more